Classical musicians dream of an international performance career, a ‘Musotopia’ , in which they are able to make a living only by playing concerts. Reality tells us that 77% of performers earn over half of their income from teaching, and that 90% have a secondary occupation. Is there still work for performers? …

The way we present music to our audiences is regulated by an implicit code of behavior. Characteristics of that code are a strict difference between performer and listener (exclusive entrance for performers, framing and elevation of the stage, lighting, and dress code).The hall is a consecrated area, …

While improvisation is considered to be an art form, particularly in jazz, but also in eighteenth-century music, it may also be seen as an didactic instrument which can be used to develop implicit knowledge of music syntax. Two types of syntax may be distinguished: finite state grammars and hierarchical …

This essay addresses the relationship of improvisation and identity. Biographical research that was conducted by the author into professional musicians’ lifelong learning showed the huge importance of improvisation for personal expression. Musically, the concept of sound appeared to serve as a strong …

This chapter gives an overview on the Healthy Ageing research portfolio of the research group Lifelong Learning in Music (Hanze University of Applied Sciences Groningen, the Netherlands). Lifelong learning enables musicians to respond to the continuously changing context in which they are working nowadays, …

Lezing voor symposium met Friese muziekscholen, 5-2-2015

Musicians in the 21st century – changing perspectives. Keynote to be held in Krakow, december 2014 I would like to take the opportunity to talk about the changes and innovations in the music profession in Europe which are faced by our students and graduates and about new developments in the music careers. …

Veränderungen in Musikberufen. Es ist nicht neu, dass unsere Gesellschaft und ihrem kulturellen Umfeld sich rasch verändern; wir sind uns dessen bewusst, und es hat große Auswirkungen auf unsere Arbeit als professionellen Musikern. Heutige Musiker haben keine „lebenslangen Stellen“ mehr, sondern flexible …

10 Years Lifelong Learning in Music. Today we will look back on the work in the LLM group during the past 10 years, and we will look to the future as well. Lifelong Learning for musicians is a never-ending theme, as there is always much change to respond to. And this is something which may become very …