This essay is published for the occasion of the inauguration of Evert Bisschop Boele on June 25, 2014 as professor ‘New Audiences’ of the research group Lifelong Learning in Music, Centre of Applied Research and Innovation Art & Society/Prince Claus Conservatoire, Hanze University of Applied Sciences …

Seeing improvisation as something that really needs its place in conservatoire training and education may be more or less ‘new’. However improvisation itself is of course not at all new and has existed since as long as we can remember. I will not go into that any further, it would take not a single address …

This article explores the intersection between institutional hierarchies and learning at a UK conservatoire. Conceptualizing learning as a social practice situated in a hierarchical social space, the article draws on the theorization of Bourdieu to understand how students are positioned in the conservatoire …

Ouderen en muziek. Workshop at the ICON conference in Helsinki on Music and the Elderly. Het ICON seminar staat in het teken van onderzoek. We verkennen onder andere werkvormen en benaderingen die bruikbaar zijn voor onderzoek met musici. Tijdens de workshop ‘ouderen en muziek’ werken we met de intervisie …

Presentatie in Management Team over proefschrift en de gevolgen daarvan voor het conservatorium.

Vortrag an der Universität für Musik und darstellende Kunst, Wien, 11. Juni 2013.

Conservatoire cultures of musical hierarchies: implications for music in higher education.While studies of conservatoire cultures remain relatively rare, those in existence point to the hierarchical organisation of these institutions, where students compete for performance opportunities and recognition. …

As educational institutions, conservatoires remain largely unresearched and, crucially, relatively unchallenged. In particular, research has paid little attention to in-depth studies of culture, so that not enough is known of the cultural practices that characterise and shape a conservatoire education. …

Young musicians at the conservatoire: talent or attainment? The mastery of a music instrument comes after many hours of practice: on the average 10,000. It should therefore be no surprise that most great musicians started their studies at an early age. Moreover, the technical achievement of playing a …

The project Rhythm for Life has had a parallel project in Groningen, with the projects Learning to play an instrument at an elderly age and Creative workshops for the elderly. These were carried out in Groningen at the PCC in the framework of the research line HAMA of the research group LLMA. The second …