Presentatie dissertatie 'Musicking in Groningen' in Master Kunsteducatie van Hanzehogeschool Groningen, 9/11/2015.

As a consequence of restructuring instrumental music education in the Netherlands, Art Centres increasingly cease to facilitate instrumental music lessons. As a consequence, instrumental teachers are no longer employed in these Centres and have started working as independent entrepreneurs now. The question …

Paper gepresenteerd tijdens 6. Tagung Netzwerk Forschung Kulturelle Bildung ‘Kultur, Macht, Bildung’, Lüneburg, DE

Presentatie met Elizabeth Kooy op 3e Onderzoeksmiddag Kunsteducatie Hanzehogeschool Groningen, Groningen.

Learning together: music teachers forming a community of practice. As a consequence of restructuring instrumental music education in the Netherlands, Art Centres increasingly cease to facilitate instrumental music lessons. As a consequence, instrumental teachers are no longer employed in these Centres …

Moeten kinderen muziekles volgen? En, zo ja, moeten ze leren zingen of een muziekinstrument bespelen? Noten lezen of improviseren? En gaat het om cultuuroverdracht of creativiteit? Klassiek of pop? Formeel of informeel leren? Om deze en andere nijpende vragen te beantwoorden, gaan wij terug naar de oermens, …

Presentatie op uitnodiging over idiocultureel muziekonderwijs op onderzoeksbijeenkomst muziekonderwijs georganiseerd door LKCA en Ministerie OCW

Gastcollege (Skype) voor masterstudenten van de School of Arts and Social Sciences, Cape Breton University, CA

Paper presented at the 31st European Seminar in Ethnomusicology ESEM, Limerick (Ireland), 18/9/2015. This paper presents a case study of ‘Belinda’, a Dutch woman in her early sixties who considers herself at the same time as ‘un-musical’ and musically hyper-sensitive. She is neither an ‘outstanding performer’ …

Paper presented at the 43rd ICTM World Conference, 16-22 July 2015, Astana, Kazakhstan. The paper discusses some aspects of the shanty choir phenomenon in the Netherlands and contains a methodological discussion concerning ethnomusicology-at-home, 'neo-classical fieldwork' and the place of participant …