PhD defense of Krista de Wit

We bespreken hier een van de eerste resultaten van onderzoeksprogramma Curious Minds – Kunsteducatie van de Onderzoeksgroep Kunsteducatie van de Hanzehogeschool Groningen. Curious Minds is de Engelse benaming voor de TalentenKrachtbenadering, een vakoverstijgende benadering die leraren in het basisonderwijs …

Gastcollege voor 4e jaars PABO-studenten, programma vakspecialist muziek

The Johan Cruijff ArenA (JC ArenA) is a big events location in Amsterdam, where national and international football matches, concerts and music festivals take place for up to 68,000 visitors. The JC ArenA is already one of the most sustainable, multi-functional stadia in the world and is realizing even …

Many cities consider their live music ecologies to be a valuable asset to urban culture. Many have adopted active live music policies, which is part and parcel of the trend of instrumentalization of urban cultural policies. In this paper we explore the reasons behind the increased political policy attention …

In the global pop music industries, revenue models have shifted from physical record sales to streaming services and live performances. At the same time, the supply of live music performances has changed as a result of festivalization. This study aims to understand the effects of festivalization on the …

We Are Not Sick is a hybrid lecture/music performance by Geert Lovink and John Longwalker. Combining a diversity of text-, image-, and music-genres, the project reflects on the encroaching sadness provoked by social media architectures. Through this project they push for new modalities in both music …

Samenvatting: The given thesis deals with a specific treatment of outpatients in clinical psycho- oncology who have difficulties in emotionregulation. The aim of the study was to find out to what extent unconscious art therapeutical activity in combination with a following cognitive observation …

Over the past decades, different theoretical perspectives have been developed that help to understand the social context in which live music is produced and consumed. Theories from the fields of sociology, cultural studies and popular music studies have enhanced our knowledge of (live) music industries …