A practice-based research is presented investigating a method of teaching CI-recipients to play the piano with the goal of improving their aural perception. The method is based on the concept of ideomotor learning i.e. the development of a neural association between music and the movement that produces …

Three topics are discussed: audiomotor transformations in music, the aural perception of music, and procedural learning and music syntax. Biologically, the ability to make music and enjoy it is based on the innate capacities for beat induction and relative pitch (recognition of melodic contour). The …

The transformation of music into movement takes place while dancing, singing, and playing an instrument. The human capacity for beat induction facilitates rhythmic movement to the musical beat, a capacity share with only a few animals. While Parkinson patients are limited in their locomotive abilities, …

While improvisation is considered to be an art form, particularly in jazz, but also in eighteenth-century music, it may also be seen as an didactic instrument which can be used to develop implicit knowledge of music syntax. Two types of syntax may be distinguished: finite state grammars and hierarchical …

Muziek is niet alleen kunst. Het berust op aangeboren eigenschappen van de mens zoals het vermogen om 'beat' waar te nemen en relatief gehoor, het vermogen om een melodie te herkennen, ongeacht de toonsoort.

Learning to play a music instrument might be able to improve the hearing of cochlear implant recipients. In this presentation, we report on a pilot project in which three CI recipients received music lessons from students at the conservatoire.

The functional and anatomical distinction between vision-for-perception and vision-for-action, the hallmark of the dual-stream Perception-Action Model, is equally applicable to the auditory domain, implying that non-conscious audition-for-action could play an important role in music performance. Ear …

Onderzoek heeft uitgewezen dat er twee soorten perceptie bestaan die langs gescheiden anatomische routes lopen en verschillende perceptuele doelen dienen. Deze routes staan bekend als de ventrale en dorsale route, of in de volksmond: de ‘wat’ en de ‘hoe’ route. De ventrale route staat ten dienste van …

Neurowetenschappen en de klassieke muziekbeoefening. Uitvoerende musici houden zich voornamelijk met de interpretatie van bestaande muziek bezig. De vaardigheden die daar een bijdrage aan leveren zijn bijvoorbeeld het muzikale gehoor, de instrumentale techniek, en het notenlezen. Dergelijke vaardigheden …

Next to the manifestation of sensori-motor transformations such as singing and dancing, the ability to play an instrument by ear must rely on a unique convergence of cerebral functions involving motor preparation and auditory perception. In this study, we aimed to gain insight into the extent to which …